FEATURED WORK OF THE WEEK

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Genius/Genus Bar

By Amy Yoshitsu

Featured in

RABBLE REVIEW No.3

Page: 16

Genius/Genus Bar highlights ‘genius’ as a superficial language unit that legitimizes resource investment into people, entities and practices which have gained attention and desirability via historic, inherited and obfuscated means. It is the first in a series of soap-on-a-rope sculptures in the shape of words which I view as being applied so broadly and weaponized so frequently that their meanings have not only evaporated but have become equivalent to toxic gasses harming human potential. ‘Genus’—adding context that the state of being elevated can only exist within hierarchy— is a rank within biological taxonomy, whose 18th century origins include the concept of four “varieties” of humans, thus playing a foundational role in the creation of race. The color and material (soap with glutathione which is the main ingredient in skin-whitening products) have been chosen to reinforce the racial and hierarchical aspects entangled in every capitalist embodiment—the “conjoined twins,” Ibram X. Kendi’s description of the relationship between capitalism and racism. As a person of Asian descent, I am both intimately familiar with the colonialist and assimilationist-driven ideals of femininity and cleanliness, while, at the same time, have had many run-ins with the pedestal of smart, which often equates to high status, high salary, and ultimately safety into old age.

Author Bio:

Amy Yoshitsu is a sculptor, designer, and socially engaged artist deconstructing the interconnections between power, economics, labor, and race to illuminate their foundational impact on personal schemas and interpersonal relationships. Objects, installations and images result from amalgamating industrial and refuse materials, textiles and sewing, research and layers of manual and digital building. In 2010, she received an A.B. in Visual and Environmental Studies from Harvard University where she focused on sculpture, environmental analysis and critical theory. She then attended the MFA Art program at California Institute of the Arts. In 2021, she was honored to be an Artist in Residence at Esalen Institute and participated in the virtual Artist Residency Project at the School of Visual Arts. Her work has been shown across the U.S., in New York, Boston, and San Francisco. After a decade as a software, web and graphic designer, in 2020 she cofounded the worker’s coop, Converge Collaborative is focused on empowering and supporting creatives of color and centering emotions in the labor context. Amy lives in her hometown, Berkeley, CA.